From the Book – Non-circulating
Nation and notation : Irish music and print culture in the eighteenth century
Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation
"The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry
Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance
Patriotism and "woman's sentiment" in Sydney Owenson's Hibernian melodies and The wild Irish girl
A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace
In Moore's wake : Irish music in Ireland after the Irish melodies
Irish music, British culture, and the transatlantic experience.